
Reel Chicago Post House of 2025: The Colonie
At a time when the post-production industry continues to recalibrate around shifting budgets, new platforms, and evolving creative demands, The Colonie stands out for its ability to adapt while remaining

At a time when the post-production industry continues to recalibrate around shifting budgets, new platforms, and evolving creative demands, The Colonie stands out for its ability to adapt while remaining

Chicago-based premiere post production house The Colonie has entered a new phase, as Bob Ackerman and Susan Okimoto take full ownership of the company. With decades of experience in the

In a heartwarming new campaign, Disney’s creative agency, Yellow Shoes, sent a film crew out on the streets, randomly asking people to share their favorite Walt Disney World memories. They

Bread Financial’s Super Bowl spot for the NFL Extra Points Credit Card series, took home several awards at the 45th Annual Telly Awards. The campaign, created by Publicis Hawkeye, recognized

The Colonie announces the addition of two up-and-coming editors, Addy Bieniarz and Giorgia Harvey. There’s a lot of exciting news at The Colonie. The most recent being the addition of

The Colonie, an award-winning post production studio, announces editor Giorgia Harvey is set to make waves at America’s largest documentary festival, DOCNYC, with the world premiere of No One Asked You.

Award-winning post-production studio The Colonie has hired Zach Day as Producer/New Business. Day brings more than fifteen years of ad agency experience, most recently as a Senior Producer at Leo

Before the official AICP winners were even announced, The Colonie won a major honor. For the first time in its history, the Chicago based post-production company was selected to create

In an industry dominated by men behind the camera, female colorist and editor Jennifer Gaida is a rarity. Gaida is currently a colorist at Chicago-based, The Colonie, a full-service post-production

Burrell Communications recently returned to The Colonie, tapping the talents of editor Graham Chapman and the Chicago-based company’s design team for the multi-platform launch of ‘Black Experience on Xfinity’ (BEOX).

Editor’s Note: In 2020, the world changed right before our very eyes. Ad agencies, production companies and post houses were forced to adapt and begin a “new normal” working, living, exercising

The Marketing Arm called on The Colonie’s remote-savvy team to provide editing, color grading, and creative services for a recent State Farm spot with a message of encouragement and support

Editor’s Note: The world changed right before our very eyes. We now work, live, exercise and entertain ourselves in our homes. This is the new normal. In this new on-going series,

Editor’s Note: They are leaders. They are inspirational. They are mentors. They are visionaries. They are, quite frankly, badasses. They are our 2020 Reel Women During Women’s History Month, you

Two Dum Micks — an offbeat comedic short film, written, directed, and produced by D.B. Sweeney and edited by Keith Kristinat at The Colonie – is sweeping the festival circuit

The Colonie continues to grow its roster of talent and services with the addition of Colorist Jennifer Gaida. The hiring of the creative and technically savvy talent marks the launch

The Chicago shop’s Social Media Division takes silvers for ‘Use of the Vertical Format’ and ‘Creative Editing’ The Colonie’s work on the Porsche vertical advertising campaign, Curves, was recognized by

Former UNLTD. creative brings agency chops to expanding and “formidable” department offerings The Colonie has added Motion Designer and 3D Artist Ashley Lee to its full-service editorial and postproduction staff.

Chicago shop makes the cut with a Porsche spot and a Taylor Bennett music video The Colonie is on the AICP Post Awards’ Shortlist with two of the company’s projects

Priscilla Perez, Lexi Midkiff, and Lindsey Fisher help meet demand at the growing editorial and post company Postproduction boutique The Colonie has announced the addition of assistant editors Priscilla Perez,