One at Optimus’ three new directors bring total to 11
ONE AT OPTIMUS has boosted its directors’ roster to 11 with the addition of a trio of award-winning directors. They are
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ONE AT OPTIMUS has boosted its directors’ roster to 11 with the addition of a trio of award-winning directors. They are
Since opening an office here in January, “the reception has been wonderful, wildly surpassing our expectations,” says Robin Hellmann, Chicago casting director for Texas-based
Cossette of Quebec City, Canada is the new agency for McDonald’s Owner/Operators of Chicagoland and Northwest Indiana (MOCNI),
Jeff Boyle of Catfish Music in River North remembers Chicago’s thriving commercial scoring business when he started out 20 years ago as a composer and how he has been
Let the Games begin. Starting tomorrow, most of the world’s sports enthusiasts (as well as many who have no particular interest in athletics) will turn their attention to London, England,
It’s hard to believe, but the McDonald’s “I’m Loving It” ad campaign will celebrate its 10th anniversary next year. Whatever its fate from here on out, “I’m Lovin’ It” already
GREG ALLAN’S SONIXPHERE tapped New York-based Clint Arent as director of East Coast business development, to focus on New York agencies. “An increasing amount of our
As Optimus’ long-time partner/senior colorist Craig Leffel moves over to director of production at ONE at Optimus, the post house’s production division, and Tyler Roth has joined Optimus
New York’s giant commercials industry tends to be all wrapped up in itself and when it’s spring awards time, the predictable winners are members of New York/Los Angeles companies and
The downsizing of ad agencies continues to propel more talented commercial creatives and producers into the ever-swelling freelance market. Not that it’s a bad thing, as it appears that
Paul Traynor of Hay Moon, Inc. is out to make “Witches’ Night” a horror movie for grown-ups on a $500,000 to $1 million budget he’s raising from private investors.
by Ed M. Koziarski
This is the second of a two-part report.
The Chicago animation scene is dominated by commercial broadcast, many top firms being divisions of larger post houses or production companies, like Superior Street’s
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| Catfish Music partner Joel Raney |
After nearly a year of construction, Catfish Music’s new
