5-25-77: How “Star Wars” Changed My Life
Patrick Read Johnson’s teenage visits to the visual effects stages of “Stars Wars” and “Close Encounters” launched him on a 20-year career as Hollywood effects technician and studio writer/director.
Patrick Read Johnson’s teenage visits to the visual effects stages of “Stars Wars” and “Close Encounters” launched him on a 20-year career as Hollywood effects technician and studio writer/director.
brings a tongue and cheek view to the notion that forest clear cutting will come so far that your own backyard will suffer. Produced by Downtown Partners and directed
GAY IS THE GIVEN, not the punchline.
They’re funny. They’re gay. And when I saw their runway summer hit “Weddings of Mass Destruction,” my first thought
TEST SPOT GURU and Daily Planet founder Fred Berkover continues to ply his years of expertise with a new company partnered with Swell
THE FOUNDATION OPENS. When his 10-year Red Car contract ended, editor James Lipinsky decided the time had come to go into business for
FLYING HIGH. IFO director Brenda Sexton returns from her sixth L.A. trip in 11 months reporting tremendous interest” in the wage tax credit bill from meetings set up by MPAA
If it feels to you like the spot business has picked up over last year, you’re absolutely right.
The Chicago Film Office, which