Earlier this week, we ran a story about how IATSE local Mechanics Union 476 is hurting financially from the lack of work caused by the 143-day-old writers’ strike and the 71-day-old actors’ strike. One day later, Family Guy, American Dad and The Orville creator Seth McFarlane donated $5 million to the Entertainment Community Fund (ECF).
His donation was on top of a $1 million gift the prolific creator made back in July. McFarlane is now leading a drive to raise $10 million for the ECF which is led by Annette Bening. The fund extends beyond helping Actors.
What makes the ECF’s support even more remarkable is its inclusivity. It is not limited to actors alone but reaches out to the unsung heroes of the industry. Writing assistants, production assistants, lighting and sound designers, script supervisors, craft service personnel, hair and makeup artists, and wardrobe experts—all find solace in the embrace of the ECF. It recognizes that every role in the industry is a vital piece of the puzzle, and when one piece is in need, the entire puzzle may falter.
As of September 19, the fund has distributed over $7.4 million to more than 3,515 film and TV workers. This assistance covers a range of basic living expenses, including rent, groceries, health insurance, medical bills, and crucially, mental health support. The ECF recognizes that the well-being of industry professionals goes beyond financial aid; it extends to their emotional and mental health, which are equally important.
McFarlane joins powerful showrunners and creators Ryan Murphy and Greg Berlanti, who both have set up $500,000 funds to support their crews.
Their generous contributions to strike relief funds, provide financial assistance to below-the-line workers and support staff who have been deeply impacted by the ongoing labor disputes reflect not only their commitment to their industry but also their compassion for the workers who bring their creative visions to life.
This is great for crews and below-the-line workers on both coasts. But where is that compassion from the shows that have become an integral part of the Chicago production community?
In a story earlier this month, we reported that the current work stoppage could cost Illinois $500 million.
On August 23, we reported Chicago P.D.‘s First AD Richard White and several notable figures from the show, including stars like Patrick John Flueger, Marina Squerciati, Amy Morton, and Tracy Spiridakos, along with executive producers, writers, and other crew members launched a campaign to support below-the-line workers affected by the strike.
However, there is a notable absence of bigger and more powerful voices in the conversation, particularly from showrunners with ties to the vibrant television landscape in Chicago. With hit series like Chicago Fire, Chicago PD, Chicago Med, The Chi, Somebody, Somewhere, Justified: City Primeval, Power Book IV: Force and The Bear being filmed in the city, one might expect the creators and showrunners behind these shows to step up and offer support to the hardworking crews who make their projects possible.
Yet, as the strikes continue, their silence remains deafening.
The Chicago-based television industry has thrived in recent years, with these series capturing the hearts of viewers both nationally and internationally. They have not only boosted the city’s profile but have also provided countless jobs for local talent, crew members, and support staff. These workers are the backbone of these successful shows, ensuring that every episode is crafted to perfection. They deserve the same consideration and support that their colleagues on the West Coast are receiving.
Anthony J. Barracca, the secretary-treasurer of IATSE Local 476, shared the grim situation with Crain’s. “The strike has been really tough on our union members who are struggling to pay bills and put food on the table without work,” he stated. The impact extends to health insurance as well, with the union’s health plan facing a precarious situation. Contributions to the health plan are tied to hours worked, and with workers sidelined due to the strike, the reserves are dwindling rapidly.
It’s essential to remember that solidarity should extend beyond geographic boundaries. Showrunners like McFarlane, Murphy and Berlanti have set admirable examples by pledging substantial amounts to strike relief. Their leadership in this challenging moment should encourage and inspire others who work with the Chicago community to do the same.
The strikes have not only disrupted production schedules but have also created financial hardships for those who rely on their work in the industry. It’s a time when unity and support from all corners of the entertainment world are desperately needed. Showrunners, creators and executive producers have a unique platform and influence that can make a significant difference in the lives of the workers who bring their stories to life.
The absence of public support from Chicago’s showrunners is particularly noticeable when compared to the actions of their peers in other parts of the industry. The entertainment community thrives when its members support one another during challenging times, and this moment calls for a collective effort.
The entertainment industry has always been known for its resilience and ability to adapt to change. While the strikes are undoubtedly testing the industry’s resolve, they also present an opportunity for showrunners to demonstrate their commitment to the workers who have helped make their shows successful.
The WGA and AMPTP are meeting for the third day in a row. Hopefully, by the time this piece is out we will have an agreement, putting everyone back to work. But if the strikes persist, it’s time for showrunners of Chicago-based TV series to step forward, break their silence, and join the ranks of industry leaders who are offering financial relief and support to their crews.
Not in LA. In Chicago.
ALSO READ: Writers and Actors strike could cost Illinois $500 million
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