Lay’s “The Little Farmer” is the standout Super Bowl spot from Chicago

Lay's Super Bowl

Every year, Super Bowl commercials flood our screens with spectacle, humor, and celebrity cameos, but the best ads are the ones that make us feel something. This year, that honor goes to Lay’s “The Little Farmer”, a beautifully crafted one-minute spot that blends cinematic storytelling with authentic emotion.

Created by Highdive, the commercial is, in our opinion, the best Super Bowl ad to come out of the Chicago market in 2025.

Helmed by Academy Award-winning director Taika Waititi, known for his ability to balance humor, heart, and humanity in films like Jojo Rabbit and Thor: Ragnarok, the spot takes a different approach from most of his work. Instead of witty dialogue and comedy, “The Little Farmer” relies on visual storytelling and a touching narrative.

The ad follows DeLee Parker, a real-life five-year-old farmer from St. Johns County, Florida, in a fictionalized version of her story. It begins with her watching a truck full of potatoes drive away, leaving behind a single spud on the dirt road. Rather than letting it go to waste, she picks it up, plants it, and tends to it through rain and sunshine, using an umbrella for storms, a scarecrow for protection, and even camping out to guard it at night.

Then, the payoff: after months of care, her little potato thrives, and she proudly brings it to the family truck, adding it to the thousands of others destined for Lay’s. The ad concludes with a photo collage of real farming families, including DeLee’s father, Jeffrey Parker, and other multi-generational farming families who grow Lay’s potatoes.

Set to Caroline Says’ cover of Barry Louis Polisar’s 1977 classic All I Want Is You, the spot delivers a warm, nostalgic feel that perfectly matches its theme of hard work, tradition, and family values. Watch below:

Why “The Little Farmer” Stands Out

In a year filled with flashy celebrity-driven ads, Lay’s opted for authenticity. The brand could have easily gone for a star-studded, humor-heavy spot, but instead, they told a real story about the people behind their product.

This wasn’t just an ad about farming—it was about the dedication and resilience of real farming families who have supplied Lay’s for generations. The inclusion of actual farmers, like the Parker family, Smith Farms, and the Singleton family, gave the commercial an extra layer of credibility and heart.

The ad also succeeds because it effortlessly connects its message to the brand. It’s not just about a potato—it’s about how Lay’s respects and supports the farmers who grow them. The final tagline, “Real potatoes grown on family farms across America,” drives that home in a way that feels genuine rather than forced.

A Shift for Lay’s Super Bowl Advertising

Lay’s return to the Super Bowl after a three-year hiatus was highly anticipated, and this ad did not disappoint. Their last Big Game spot, Golden Memories, took a comedic approach, starring Seth Rogen and Paul Rudd reminiscing over their past misadventures. This year, however, Lay’s pivoted to sentimentality, and it paid off.

The decision makes sense—Frito-Lay’s internal research found that snacks are just as important to Super Bowl viewers as the game itself. With three in five people choosing where to watch based on food, Lay’s is making sure they remain a game-day essential.

Founded in 1944, Lay’s has grown from a small family business into America’s top-selling potato chip brand, but this ad brings it back to its roots—literally. By focusing on real farmers and their families, Lay’s successfully connects with audiences on an emotional level while reinforcing the brand’s commitment to quality.

Highdive’s creative is more than just a great commercial—it’s a masterclass in storytelling. Highdive and Taika Waititi created a visually stunning, emotionally resonant piece that perfectly blends brand messaging with heartfelt storytelling.

This is, without a doubt, the best Super Bowl ad to come out of Chicago in 2025.

CREDITS:

BRAND: Lay’s

  • Vice President: Denise Truelove
  • Chief Creative Officer: Chris Bellinger
  • Marketing Directors: Michelle McAlister, Isabel Gaeta Westhoff
  • Brand Manager: Maddie Wagner
  • Advisor: Sharon Groh
  • Legal: Jenny Allenbaugh, Nur Kara
  • Manager: Dannely Kramer
  • Insights Manager: Brodie Dunn
  • Communications Director: Dan Cohen
  • Communications Director: Ashley Capps
  • Communications Manager: Jayme Mizzoni
  • Team Member: Fabrizzio Cantagallo

AGENCY: D3 (PepsiCo Foods) Team

  • Team Member: Cilla Sutfin
  • Team Member: Jordan Gilliam

AGENCY: Highdive

  • Chief Creative Officers: Mark Gross, Chad Broude
  • Chief Executive Officer: Megan Lally
  • Executive Creative Director: Pat Burke
  • Creative Directors: Bart Culberson, Angela Paris
  • Creatives: Pat Seidel, Chris Rose
  • Design Director: Trevor Shorey
  • Head of Production: Jen Passaniti
  • Executive Producer: Adam Battista
  • Producer: Nicole Schofield
  • Strategy Director: Erin Wong
  • Group Account Director: CJ Nielsen
  • Account Director: Diana Saenz
  • Account Supervisor: Morgan Baggesen
  • Account Executive: Riya Randhawa
  • Business Affairs Director: Kelley Beaman
  • Business Affairs Manager: Julie Smith

MEDIA AGENCY: OMD

PRODUCTION COMPANY: Hungry Man

  • Director: Taika Waititi
  • Executive Producers: Caleb Dewart, Kim Dellara, Franchesca McDowell
  • Head of Production: Marian Harkness
  • Producer: Omar Bustos
  • Photographer: Stephen Cardinale
  • Digital Imaging Technician: Mark Whitrock
  • 1st AC: Matthew DeFeo

EDIT: Cabin Edit

  • Editor: Chan Hatcher
  • Edit Assistant: Erin McCaffrey
  • Managing Partner: Carr Schilling
  • Executive Producer: Britt Carson
  • Producer: Alex Hooker

COLOR: Trafik

  • Colourist: Daniel de Vue
  • Managing Partner: Robert Owens
  • Producer: Geoff Linville

POST: Parliament

  • Creative Director: Philip Crowe
  • Creative: Tim Rudgard
  • Director of Production: Kat Maidment
  • Producer: Nora Brosnan

MIX: Another Country Studios

  • Sound Designer: Peter Erazmus
  • Audio Assistant: Brett Rossiter
  • Music Producer: Josh Hunnicutt
  • Executive Producer: Louise Rider
  • Managing Partner: Tim Konn

LICENSING: Mayflower

MUSIC: Walker

  • Managing Director: Sara Matarazzo
  • Executive Producer: Stephanie Pigott
  • Music Producer: Danielle Soury
  • Artists: Barry Louis Polisar, Caroline Says

PR: Ketchum UK

  • PR Representative: Manny Gould
  • PR Representative: Kevin Hyde
  • PR Representative: Rebecca Appleman
  • PR Representative: Travis Culver

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Colin Costello is the West Coast Editor of Reel 360. Contact him at colin@reel360.com or follow him on Twitter at @colinthewriter1


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