To make a movie based on Barbie, one of world’s most famous toy brands, is to venture into a particularly public arena, where everyone has at least a passing familiarity and ...
Cinematographer Jeffrey Waldron discusses the distinct styles he helped craft for Haunted Mansion and You Hurt My Feelings.
The new feature Haunted Mansion deliver...
In writer-director Leo Milano’s debut feature, The Crusades, three friends find their school year thrown into turmoil by the possibility that their all-boys private high sch...
Set in the West African kingdom of Dahomey in the year 1823, director Gina Prince-Bythewood’s feature The Woman King focuses on the historically inspired but fictio...
If you have watched Firefly Lane you have to be fascinated at the jumps between the 1970s, 1980s and 2000. Here's the inside story on how cinematographer, Vincent De Paula flaw...
Cinematographers Todd Banhazl and Mihai Malaimare Jr. go one-on-one to recount their experiences shooting the first season of HBO's Winning Time.
The HBO original series Wi...
Light Iron colorists Ian Vertovec and Ethan Schwartz detail the big-screen look of the FX series The Old Man.
The FX original series The Old Man stars Jeff Bridges as the ...
Behind the Scenes with Panavision in an interview with cinematographer Polly Morgan, ASC, BSC, Where the Crawdads Sing.
Cinematographer Polly Morgan, ASC, BSC discusses her...
On Sept. 20, 2016, This Is Us premiered on NBC, introducing viewers to the cross-generational story of the Pearson family.
Over the course of six seasons and a st...
Cinematographer Ari Wegner, ACS is no stranger to dramatic filming locations.
For the 2013 feature Ruin, she worked in the Cambodian jungle; the remote landscapes of the 2...
Kramer Morgenthau, ASC takes Panavision behind the scenes of the period features Respect and The Many Saints of Newark.
On the surface, a biopic about “Queen of Soul...
Following his work on Season 1 of Godfather of Harlem, cinematographer Jack Donnelly returned for Season 2 to focus on preserving “a consistent visual style” for the se...
Cinematographer Alice Brooks discusses using DXL2 and G Series anamorphics to craft a big look for director Jon M. Chu’s musical In the Heights.
In 2002, when cinematogra...
The Witches marks the eighth feature collaboration between director Robert Zemeckis and cinematographer Don Burgess, ASC, following such titles as Forrest Gump, ...
Cinematographer Seamus Tierney captures the tricks and treats of Hubie Halloween in large format with DXL2.
Hubert Shubert “Hubie” Dubois was born and raised in Salem,...
John Conroy, ISC helps transport Showtime’s horror franchise 'Penny Dreadful' to a new period and location with 'Penny Dreadful: City of Angels'
Having photographed epis...
In a cinematic universe expanding with superheroes, the creative challenge for filmmakers is to set newcomers apart from the crowd. The task is doubly important for Bloodshot, ...
Written by Shia LaBeouf and directed by Alma Har’el, Honey Boy presents a semi-autobiographical portrait of LaBeouf’s experiences as a 12-year-old child actor (played by No...